'Music to access innermost self’ - Agata Zakrzewska on Jarmila's music in Muzyczne Widzimisię. 'Muzyka ta pozwala wniknąć w głąb siebie'.

Agata Zakrzewska, warszawska muzykolog i wokalistka, opisuje swój odbiór płyty ‘Aspaklaria’ w recenzji pt. ‘Doznania Muzycznych Medytacji’, na blogu ‘Muzyczne Widzimisię’.

Warsaw-based musicologist and vocalist, Agata Zakrzewska, describes her impressions of the album ‘Aspaklaria’ in a review titled ‘The Sensations of Musical Meditations’ in a blog ‘Muzyczne Widzimisię’.

'I don't want you to see my body. First and foremost I want you to see my soul. My depth', says Jarmila in her interview for The Franciska Show

Does succeeding in the mainstream music industry require women to compromise on their looks and behaviour? - is just one of the topics covered in this online interview in The Franciska Show. Jarmila is asked to tell the story of being born into a musical family and how it caused her to be destined to create music. Exactly what is Gorna Music? How did Jarmila discover it? What motivated her to stay true to the whisper of her soul? Franciska was equally interested to find out more about The Gorna Method of teaching music.

Czy żeby odnieść sukces w przemyśle muzycznym kobieta rzeczywiście musi dokonać kompromisu w swoim wyglądzie i zachowaniu? - to jedno z wielu tematów tego wywiadu online dla The Franciska Show. Jarmila opowiada też o swoim dzieciństwie i jak urodzenie się w rodzinie muzyków zadecydowało o jej przeznaczeniu, którym jest tworzenie muzyki. Co to tak naprawdę jest ta ‘Muzyka Górnej’? Jak Jarmila ją odkryła? Co było jej motywacją, by do końca być wierną szeptowi swojej duszy? Franciska była równie zainteresowana Jarmili metodą nauczania muzyki, ‘Metodą Górnej’.

we will be searching for you, looking out for you, awaiting you and calling out to you, so that you return to us, says Przemysław Bartkowski to Jarmila in her live interview for Pro Radio

“Będziemy Cię szukać, będziemy Cię wyszukiwać, wyczekiwać, wywoływać - jak najbardziej - żebyś do nas wróciła ” mówi Przemysław Bartkowski, Pro Radio.

Jarmila talks about ‘jumping on the deepest waters to uncover the untamed voice that sings straight from the soul’. About ‘hearing one’s own note’, about ‘allowing her hand to look for its own path on the piano keyboard’.

A live online radio interview with Jarmila, in Przemysław Bartkowski’s radio programme ‘W Pół Rocku’, on Pro Radio.

Jarmila opowiada o ‘skoku w głębokie wody po to, by odkryć ten nieokiełznany głos, który śpiewa prosto z duszy’. O tym jak ‘wysłyszeć tę własną nutę’ i ‘wydobyć siebie’. Jak ‘pozwolić mojej ręce, żeby szukała jakiejś swojej drogi po klawiaturze’.

Wywiad online na żywo w programie ‘W Pół Rocku’ Przemysława Bartowskiego, w Pro Radio.

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'I have risen and everything in me has risen, my hair stood up: omg! what is this?!' acclaims hanka wojciak about jarmila's music

This was a fun and in-depth emotionally honest radio interview. Hanka Wojciak, of ‘Wieczor Panienski’, Radio Krakow, skilfully exposes the inner recesses of Jarmila musical soul and takes you on a journey through her creative career. From the beginnings with Sovay, through her multimedia Trance-Magic Piano Sessions and the first, mysteriously wordless album ‘Hashgachah’, to the latest release ‘Aspaklaria’ whose songs are garnished with lyrics for the first time in years. What is behind this radical transformation?…

Jest to zabawna ale też głęboka, emocjonalnie szczera rozmowa z redaktorką Hanką Wójciak, w programie ‘Wieczór Panieński’ w Radiu Kraków. Z niezmierną elegancją i poczuciem humoru, Hanka potrafi dotrzeć prawie do najgłębszych sekretów muzycznej duszy Jarmili. Obie udają się w podróż poprzez krainę twórczego życia gościa wywiadu. Począwszy od zespołu Sovay, poprzez multimedialne Trance-Magic Piano Sessions oraz tajemniczo bezsłowną pierwszą płytę ‘Hashgachah’, aż do drugiej, ukraszonej lirykami płyty ‘Aspaklaria’. Co kryje się za tą radykalną metamorfozą?…

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'my new album, aspaklaria, is testimony to my falling and then rising' says jarmila in the interview for muzykoholicy

In this candid interview fro Muzykoholicy, Jarmila talks about her life, the unique sound of her music and unconventional vocal expression, inspirations, spirituality, sound engineering, future musicals plans. While remaining a self-proclaimed despot as a producer and musical decision maker, she reveals a few secrets of her favourite collaborations, amongst others, with David Farren.

W tym szczerym wywiadzie dla Muzykoholików, Jarmila opowiada o swoim życiu, wyjątkowym brzmieniu swojej muzyki i niekonwencjonalnej ekspresji wokalnej, o inspiracjach, duchowości, inżynierii dźwięku, muzycznych planach na przyszłość. Pozostając samo-zwaną ‘despotką’ jako producentka i osoba podejmująca wszystkie muzyczne decyzje, dzieli się kilkoma sekretami swoich ulubionych kolaboracji, m.in. z Davidem Farren’em.

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'What a voice, what a music! Ethereal, fantastic, intergalactic!' Jarmila interviewed by Piotr Majewski, Radio RDC, Warsaw Poland

Jarmila’s first radio interview in Poland in at least 20 years! Hosted by Piotr Majewski of the Radio Dla Ciebie, the artist feels honoured to be back and gives an emotionally honest account of her creative life as well as talks about her second album ‘Aspaklaria’.

To jest pierwszy po wielu latach wywiad radiowy Jarmili. Goszczona przez redaktora Piotra Majewskiego, Radio Dla Ciebie, artystka czuje się zaszczycona tym zaproszeniem i z typową sobie emocjonalną szczerością opowiada o swoim życiu twórczym i drugiej płycie, ‘Aspaklaria’.

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'I’m going to be telling you about it, cause there is plenty to tell both about her and her music. There is so much to see, read and most of all to listen to'.

Będę Państwu o płycie ‘Aspaklaria’ Jarmili Górnej opowiadał, bo jest i o kim i o czym. Jest naprawdę bardzo wiele do oglądania i do czytania i do słuchania przede wszystkim.

Jarmila’s album ‘Aspaklaria’ - I’m going to be telling you about it, cause there is plenty to tell both about her and her music. There is so much to see, read and most of all to listen to.

Jarmila’s Music on Polskie Radio Dzieciom in Adam Dobrzynski’s Musical Journeys (Muzyczne Podróże Adama Dobrzyńskiego)

Jarmila Xymena GornaAugust 2, 2019Comment

The Jerusalem Post on Jarmila's music and mysticism

Listening to the music of Jarmila Xymena Górna, to her amazing voice influenced by many musical genres, I would never say it was the Jewish mysticism that inspired this artist who was born in Poland and lives in London. But it did. (Basia Monka, Jerusalem Post)
'Słuchając muzyki Jarmili Xymeny Górnej, jej niesamowitego głosu zainspirowanego wieloma stylami, nigdy bym nie powiedziała, że to żydowska mistyka zainspirowała tę artystkę, która urodziła się w Polsce a mieszka w Londynie. Ale tak właśnie się stało'. (Basia Monka, Jerusalem Post)

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'Try to get good big speakers to listen to this album' says John Cavanagh, Radio Six International

‘Try to get good big speakers to listen to this album… there’s a lot in the production of it… wonderfully fruity synthesizers, great textures, layers and layers of it, a big overall thing…’

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'transparent voices and transparent views' of Jarmila Gorna as reported by Radio Sefarad

'Transparent voices and transparent views of Jarmila Xymena Gorna' - Radio Sefarad presents music from Aspaklaria ('transparent lens')

'Przezroczyste głosy i przezroczyste poglądy Jarmili Górnej' - Radio Sefarad prezentuje muzykę z płyty Aspaklaria ('przezroczysta soczewka')

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Jarmila called 'a superb producer' in The Musician's 'stand out' review

The Musician highlights the return of Jarmila with her second ‘adventurous’ album Aspaklaria, in the Stand Out section.

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'Aspaklaria sounds simultaneously innocent and experienced' - a 4-star album review in RnR Magazine

‘… beautiful, ethereal CD of effective dichotomies - even the songs, sounding simultaneously innocent and experienced, also function as huge, wide-opened soundscapes’. RnR Magazine

‘… przepiękna, nieziemska płyta skutecznych dychotomii - nawet piosenki, brzmiące zarazem niewinnie jak i wytrawnie, funkcjonują jednocześnie jako potężne, szeroko otwarte pejzaże dźwiękowe’. RnR Magazine

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Jarmila's ‘musical metaphysics’ in her ‘seductive ethereal garden of sounds and timbres' as reported by Piotr Majewski of the Polish Radio Dla Ciebie

‘It is in this clear lens of Aspaklaria that Jarmila was able to focus the magic of her other-worldly voice with pulsating beats and the incredible, electronically shaped sound expanse… Phenomenal voice…’

‘Wciągający, eteryczny ogród dźwięków i brzmień, zjawiskowy głos…’

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Jarmila's 'musical pearls' from Aspaklaria on Polish Radio 3

Calling Jarmila’s songs ‘musical pearls’, Wojciech Ossowski presents her music from Aspaklaria in his programme Trojkowy Ossobowy on Polish Radio Trojka.

‘Muzyczne perły…’

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woman of worth - jarmila gorna. the gorna method - jarmila's unique teaching system

Hundreds of students have benefitted from this exceptionally effective approach to learning, and for many of her students this methodology has been a real ‘game changer’…

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all those genres and none of the above

What is certainly typical of Jarmila’s music is that it is positively atypical. Like other critics before him, in his review of Jarmila’s album Aspaklaria, Haydon Benfield proposes several different genres in his attempt to classify her style. Art-pop, electronica, experimental, adult-contemporary, jazz, IDM all end up thrown into this cocktail shaker, but ultimately he confesses…

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'WHY WAS I COMPARED TO THE IBN EZRA? WHO IS HE?'

‘Jarmila Xymena Gorna is like a musical polymath. She’s a bit like the Ibn Ezra, and although he is a medieval Torah commentator and she’s a modern musician - so there’s quite a gap between them, but in a way it’s very much the same kind of ability to do many, many, many things well, all at the same time without seemingly specialising in one, being super confident in all of them...’

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Jarmila Gorna on KZradio השירים שלי הושמעו בתוכנית של דובי לנצ

אנ׳ מאוד נרגשת. השירים שלי הושמעו בתוכנית של דובי לנצ. הייתי רוצה להודות לדובי ולכל המאזינים. מקווה מאוד שנהנתם

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sweet collabs great results

Jarmila’s fav long-term collaborator, Larry Holcombe, shows his fab mastering skills on her song ‘Only You’ from the album Aspaklaria, in the Ozone 8 mastering tutorial on Groove8

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Jarmila's childhood memory - sound engineering?

In 2006 I was invited to take part in the exhibition titled 'Childhood Memories' at the V&A Museum of Childhood in London. I chose to recall how, as a child, I constructed my first 'recording studio', where I was able to execute basic tracking and layering of different parts. I used my sister's old Grundig reel to reel and my own new little Grundig tape recorder to do that. Actually, the museum couldn't find a Grundig, so a prop was used!

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